The Fetishization and Objectification of the Female Body in Victorian Culture
Clothing fetish - Wikipedia
Clothing fetishism or garment fetishism is a sexual fetish that revolves around a fixation upon a particular article or type of clothing , a particular fashion or uniform, or a person dressed in such a style. The clinical definition of a sexual fetish would require that a person be fixated on a specific garment to the extent that it exists as a recurrent or exclusive stimulus for sexual gratification. An individual with a clothing fetish may be aroused by the sight of a person wearing a particular garment, or by wearing the clothing themselves. The arousal may come from the look one achieves by wearing the clothes or the way it feels while it is being worn. In the latter case, arousal may originate from the way its fabric feels see clothing fetish by fabric type or from the way the garment feels and functions as a whole restrictive clothing being an example. In order to determine the relative prevalence of various clothing fetishes, University of Bologna researchers obtained a sample of at least individuals worldwide from Internet discussion groups. The prevalence was estimated based on a the number of groups devoted to a particular fetish, b the number of individuals participating in the groups and c the number of messages exchanged.
Mourning had its own trends and traditions—enough of them that we could write another entire article about them—but what about the rest of the time? Prior to his championing simple and elegant menswear in dark colors, many men of fashion dressed as ostentatiously as women, wearing bright colors, makeup, wigs, and high heels. All clothing became more conservative, serviceable, and monochrome, right?
The corset as a fetish object of Victorian England and the crisis of values into the dynamics between class and gender. Abstract: This article aims to explore the connections between the corset and fetishism in the nineteenth century and the beginning of the twentieth century. Supported by the perspective of Anne McClintock on Imperial Leather: Race, Gender and Sexuality in the Colonial Contest , in regards to fetish and the class and gender dynamics, this articled analyzed the prominence of the corset in the maintenance of Victorian female domestic idleness. The scrutiny suggests the crisis of value conducted by the conflict among public and private spaces, by the connection among male agency, female stagnation and the impossibility of pleasure from female idleness are all embodied in the corset, which converts it into an object of fetishism. The recovery of the writings of Freud, the study of the genealogies of fetishism and the resumption of its etymological origin broadens the meaning of perspectives for the relation between the corset and the nineteenth century-female body, whose silhouette, drawn by corsetry, delimited measuredly its possibilities in its social role.